Wednesday, August 22, 2012

The Skuriels: Complete Results

The following is a full list of all films receiving at least one vote.  Numbers in [brackets] denote the film's placement in the Sight and Sound critics' top 50 list.

1.  2001:  A Space Odyssey (1968, Stanley Kubrick) – 35 votes [6]
2 (tie).  Citizen Kane (1941, Orson Welles) – 23 votes [2]
2 (tie).  Vertigo (1958, Alfred Hitchcock) – 23 votes [1]
4.  Playtime (1967, Jacques Tati) – 15 votes [42]
5 (tie).  The Passion of Joan of Arc (1928, Carl Theodor Dreyer) – 14 votes [9]
5 (tie).  Casablanca (1942, Michael Curtiz) – 14 votes
5 (tie).  Singin’ in the Rain (1952, Gene Kelly & Stanley Donen) – 14 votes [20]
8.  Rear Window (1954, Alfred Hitchcock) – 13 votes
9 (tie).  The Rules of the Game (1939, Jean Renoir) – 12 votes [4]
9 (tie).  Mulholland Dr. (2001, David Lynch) – 12 votes [28]
11 (tie).  His Girl Friday (1940, Howard Hawks) – 11 votes
11 (tie).  The Godfather (1972, Francis Ford Coppola) – 11 votes [21]
11 (tie).  Barry Lyndon (1975, Stanley Kubrick) – 11 votes
11 (tie).  Apocalypse Now (1979, Francis Ford Coppola) – 11 votes [14]
15 (tie).  The Seven Samurai (1954, Akira Kurosawa) – 10 votes [17]
15 (tie).  The Searchers (1956, John Ford) – 10 votes [7]
15 (tie).  Dr. Strangelove (1964, Stanley Kubrick) – 10 votes
15 (tie).  The Godfather, Part II (1974, Francis Ford Coppola) – 10 votes [31]
15 (tie).  Blue Velvet (1986, David Lynch) – 10 votes
15 (tie).  Pulp Fiction (1994, Quentin Tarantino) – 10 votes

21 (tie).  10 films with 9 votes apiece:
Sunrise:  A Song of Two Humans (1927, F.W. Murnau) [5]
Double Indemnity (1944, Billy Wilder)
The Night of the Hunter (1955, Charles Laughton)
The 400 Blows (1959, Francois Truffaut) [39]
North by Northwest (1959, Alfred Hitchcock)
8 ½ (1963, Federico Fellini) [10]
Once Upon a Time in the West (1969, Sergio Leone)
Jaws (1975, Steven Spielberg)
Nashville (1975, Robert Altman)
Taxi Driver (1976, Martin Scorsese) [31]

31 (tie).  6 films with 8 votes apiece:
The Umbrellas of Cherbourg (1964, Jacques Demy)
McCabe & Mrs. Miller (1971, Robert Altman)
Aguirre, the Wrath of God (1972, Werner Herzog)
Jeanne Dielman, 23 Quai de Commerce, 1080 Bruxelles (1975, Chantal Akerman) [35]
Manhattan (1979, Woody Allen)
Do the Right Thing (1989, Spike Lee)

37 (tie).  12 films with 7 votes apiece:
The Man With the Movie Camera (1929, Dziga Vertov) [8]
City Lights (1931, Charlie Chaplin) [50]
The Lady Eve (1941, Preston Sturges)
Contempt (1963, Jean-Luc Godard) [21]
The Good, the Bad and the Ugly (1966, Sergio Leone)
Badlands (1973, Terrence Malick)
Celine and Julie Go Boating (1974, Jacques Rivette)
Annie Hall (1977, Woody Allen)
The Shining (1980, Stanley Kubrick)
Chungking Express (1994, Wong Kar-wai)
In the Mood for Love (2000, Wong Kar-wai) [24]
Eternal Sunshine of the Spotless Mind (2004, Michel Gondry)

49 (tie).  13 films with 6 votes apiece:
Metropolis (1927, Fritz Lang) [35]
The Third Man (1949, Carol Reed)
Tokyo Story (1953, Yasujiro Ozu) [3]
The Apartment (1960, Billy Wilder)
La Dolce Vita (1960, Federico Fellini) [39]
Lawrence of Arabia (1962, David Lean)
Au Hasard Balthasar (1966, Robert Bresson) [16]
The Discreet Charm of the Bourgeoisie (1972, Luis Bunuel)
Carrie (1976, Brian De Palma)
Star Wars: Episode IV – A New Hope (1977, George Lucas)
Days of Heaven (1978, Terrence Malick)
Videodrome (1983, David Cronenberg)
The Tree of Life (2011, Terrence Malick)

62 (tie).  22 films with 5 votes apiece:
Sherlock Jr. (1924, Buster Keaton)
The General (1927, Buster Keaton & Clyde Bruckman) [34]
Only Angels Have Wings (1939, Howard Hawks)
Rashomon (1950, Akira Kurosawa) [26]
Sunset Blvd. (1950, Billy Wilder)
Touch of Evil (1958, Orson Welles)
Rio Bravo (1959, Howard Hawks)
Psycho (1960, Alfred Hitchcock) [35]
Woman in the Dunes (1964, Hiroshi Teshigahara)
Weekend (1967, Jean-Luc Godard)
Night of the Living Dead (1968, George A. Romero)
The Wild Bunch (1969, Sam Peckinpah)
The Mother and the Whore (1973, Jean Eustache)
Chinatown (1974, Roman Polanski)
The Texas Chain Saw Massacre (1974, Tobe Hooper)
Dawn of the Dead (1978, George A. Romero)
Alien (1979, Ridley Scott)
Raging Bull (1980, Martin Scorsese)
Brazil (1985, Terry Gilliam)
GoodFellas (1990, Martin Scorsese)
The Thin Red Line (1998, Terrence Malick)
There Will Be Blood (2007, Paul Thomas Anderson)

84 (tie).  29 films with 4 votes apiece
M (1931, Fritz Lang)
Trouble in Paradise (1932, Ernst Lubitsch)
Duck Soup (1933, Leo McCarey)
The Wizard of Oz (1939, Victor Fleming)
The Magnificent Ambersons (1942, Orson Welles)
It’s a Wonderful Life (1946, Frank Capra)
Daisy Kenyon (1947, Otto Preminger)
The Red Shoes (1948, Michael Powell & Emeric Pressburger)
Ikiru (1952, Akira Kurosawa)
Sansho the Bailiff (1954, Kenji Mizoguchi)
Ordet (1955, Carl Theodor Dreyer) [24]
A Man Escaped (1956, Robert Bresson)
L’Avventura (1960, Michelangelo Antonioni) [21]
Breathless (1960, Jean-Luc Godard) [13]
Last Year at Marienbad (1962, Alain Resnais)
The Exterminating Angel (1962, Luis Bunuel)
The Conformist (1970, Bernardo Bertolucci)
The Bitter Tears of Petra van Kant (1972, Rainer Werner Fassbinder)
A Woman Under the Influence (1974, John Cassavetes)
Dog Day Afternoon (1975, Sidney Lumet)
Network (1976, Sidney Lumet)
Stalker (1979, Andrei Tarkovsky) [29]
Blade Runner (1982, Ridley Scott)
The King of Comedy (1983, Martin Scorsese)
My Neighbor Totoro (1988, Hayao Miyazaki)
Unforgiven (1992, Clint Eastwood)
Memento (2000, Christopher Nolan)
Punch-Drunk Love (2002, Paul Thomas Anderson)
Zodiac (2007, David Fincher)

And the rest:
(3 votes)
Les Vampires (1915, Feuillade)
Nosferatu (1922, Murnau)
Our Hospitality (1923, Keaton)
Seven Chances (1925, Keaton)
Steamboat Bill Jr. (1928, Reisner)
L’Atalante (1934, Vigo) [12]
Alexander Nevsky (1938, Eisenstein)
Bringing Up Baby (1938, Hawks)
The Maltese Falcon (1941, Huston)
La Belle et la Bête (1946, Cocteau)
Notorious (1946, Hitchcock)
The Treasure of the Sierra Madre (1948, Huston)
All About Eve (1950, Mankiewicz)
In a Lonely Place (1950, N. Ray)
Ugetsu (1953, Mizoguchi) [50]
A Star Is Born (1954, Cukor)
The Seventh Seal (1957, Bergman)
Some Like It Hot (1959, Wilder)
Jules et Jim (1961, Truffaut)
Gertrud (1964, Dreyer) [42]
Persona (1966, Bergman) [17]
Who’s Afraid of Virginia Woolf (1966, Nichols)
Don’t Look Back (1967, Pennebaker)
My Night at Maud’s (1969, Rohmer)
Claire’s Knee (1970, Rohmer)
A Clockwork Orange (1971, Kubrick)
Two Lane Blacktop (1971, Hellman)
Love in the Afternoon (1972, Rohmer)
Mean Streets (1973, Scorsese)
Mirror (1975, Tarkovsky) [19]
Kings of the Road [Im Lauf der Zeit] (1976, Wim Wenders)
Halloween (1978, Carpenter)
Star Wars: Episode V – The Empire Strikes Back (1980, Kershner)
Blow Out (1981, De Palma)
This Is Spinal Tap (1984, Reiner)
Aliens (1986, Cameron)
Barton Fink (1991, Coen)
Naked (1993, Leigh)
Hoop Dreams (1994, James)
Heat (1995, M. Mann)
Safe (1995, Haynes)
A Moment of Innocence (1996, Makhmalbaf)
The Big Lebowski (1998, Coen)
Yi Yi:  A One and a Two (2000, Yang)

(2 votes)
Greed (1924, von Stroheim)
The Last Laugh (1924, Murnau)
The Crowd (1928, K. Vidor)
Morocco (1930, Sternberg)
Vampyr (1932, Dreyer)
Bride of Frankenstein (1935, Whale)
Holiday (1938, Cukor)
Ninotchka (1939, Lubitsch)
Stagecoach (1939, Ford)
Story of the Late Chrysanthemums (1939, Mizoguchi)
The Philadelphia Story (1940, Cukor)
The Shop Around the Corner (1940, Lubitsch)
Sullivan’s Travels (1941, P. Sturges)
Cat People (1942, Tourneur)
The Life and Death of Colonel Blimp (1943, Powell/Pressburger)
Shadow of a Doubt (1943, Hitchcock)
A Canterbury Tale (1944, Powell/Pressburger)
Meet Me in St. Louis (1944, Minnelli)
Brief Encounter (1945, Lean)
Children of Paradise (1945, Carné)
A Matter of Life and Death (1946, Powell/Pressburger)
Bicycle Thieves (1948, de Sica) [33]
Unfaithfully Yours (1948, P. Sturges)
Kind Hearts and Coronets (1949, Hamer)
Late Spring (1949, Ozu) [15]
L’Orphée (1949, Cocteau)
The Diary of a Country Priest (1950, Bresson)
Stars in My Crown (1950, Tourneur)
The Steel Helmer (1951, Fuller)
The Big Heat (1953, Lang)
Madame De… [The Earrings of Madame De…] (1953, Ophuls)
Johnny Guitar (1954, N. Ray)
Voyage in Italy (1954, Rossellini) [41]
All That Heaven Allows (1955, Sirk)
Kiss Me Deadly (1955, Aldrich)
Nights of Cabiria (1957, Fellini)
Sweet Smell of Success (1957, Mackendrick)
Imitation of Life (1959, Sirk)
Shoot the Piano Player (1960, Truffaut)
Viridiana (1961, Bunuel)
West Side Story (1961, Robbins/Wise)
The Manchurian Candidate (1962, Frankenheimer)
The Birds (1963, Hitchcock)
High and Low (1963, A. Kurosawa)
The Leopard (1963, Visconti)
The Gospel According to St. Matthew (1964, Pasolini)
Onibaba (1964, Shindo)
Pierrot le Fou (1965, Godard) [42]
Andrei Rublev (1966, Tarkovsky) [26]
Blow-Up (1966, Antonioni)
2 or 3 Things I Know About Her (1967, Godard)
Belle de Jour (1967, Bunuel)
The Graduate (1967, Nichols)
Wavelength (1967, Snow)
The Young Girls of Rochefort (1967, Demy)
Head (1968, Rafaelson)
Rosemary’s Baby (1968, Polanski)
The Hart of London (1970, Chambers)
Four Nights of a Dreamer (1971, Bresson)
The Last Picture Show (1971, Bogdanovich)
Two English Girls (1971, Truffaut)
Cries and Whispers (1972, Bergman)
Last Tango in Paris (1972, Bertolucci)
Don’t Look Now (1973, Roeg)
The Exorcist (1973, Friedkin)
The Long Goodbye (1973, Altman)
Scenes From a Marriage (1973, Bergman)
Blazing Saddles (1974, M. Brooks)
The Conversation (1974, Coppola)
1900 (1976, Bertolucci)
Eraserhead (1977, Lynch)
Raiders of the Lost Ark (1981, Spielberg)
E.T.:  The Extra-Terrestrial (1982, Spielberg)
The Night of the Shooting Stars (1982, Taviani bros.)
Amadeus (1984, Forman)
Love Streams (1984, Cassavetes)
Paris, Texas (1984, Wenders)
Stop Making Sense (1984, Demme)
Ran (1985, A. Kurosawa)
A Time to Live and a Time to Die (1985, Hou)
Ferris Bueller’s Day Off (1986, Hughes)
Wings of Desire (1987, Wenders)
The Last Temptation of Christ (1988, Scorsese)
Crimes and Misdemeanors (1989, Allen)
Kiki’s Delivery Service (1989, Miyazaki)
Gremlins 2: The New Batch (1990, Dante)
A Brighter Summer Day (1991, Yang)
The Double Life of Veronique (1991, Kieslowski)
Hard Boiled (1992, Woo)
Malcolm X (1992, S. Lee)
The Age of Innocence (1993, Scorsese)
Dazed and Confused (1993, Linklater)
Groundhog Day (1993, Ramis)
Three Colors: Red (1994, Kieslowski)
Fallen Angels (1995, Wong)
Fargo (1996, Coen)
Irma Vep (1996, Assayas)
Out of Sight (1998, Soderbergh)
Topsy-Turvy (1999, Leigh)
The Wind Will Carry Us (1999, Kiarostami)
Dancer in the Dark (2000, von Trier)
Requiem For a Dream (2000, Aronofsky)
The Werckmeister Harmonies (2000, Tarr)
A.I.:  Artificial Intelligence (2001, Spielberg)
The Royal Tenenbaums (2001, W. Anderson)
Dogville (2003, von Trier)
The New World (2005, Malick)
Still Life (2006, Jia)
Synecdoche, New York (2008, C. Kaufman)
Melancholia (2011, von Trier)

(1 vote)
Broken Blossoms (1919, Griffith)
Safety Last (1923, Newmeyer/Taylor)
Girl Shy (1924, Newmeyer/Taylor)
The Merry Widow (1924, von Stroheim)
The Unknown (1927, Browning)
The Cameraman (1928, Keaton/Sedgwick)
The Docks of New York (1928, Sternberg)
Lonesome (1928, Fejos)
Spies (1928, Lang)
The Wind (1928, Sjostrom)
Pandora’s Box (1929, Pabst)
Animal Crackers (1930, Heerman)
Earth (1930, Dovzhenko)
L’Age d’Or (1930, Bunuel)
An American Tragedy (1931, Sternberg)
I Was Born, But… (1932, Ozu)
Shanghai Express (1932, Sternberg)
The Gold Diggers of 1933 (1933, LeRoy)
King Kong (1933, Schoedesack/Cooper)
The Testament of Dr. Mabuse (1933, Lang)
It’s a Gift (1934, McLeod)
The Scarlet Empress (1934, Sternberg)
The Girl in the Rumor (1935, Naruse)
Ruggles of Red Gap (1935, McCarey)
Modern Times (1936, Chaplin)
Angel (1937, Lubitsch)
Grand Illusion (1937, Renoir)
History Is Made at Night (1937, Borzage)
Make Way for Tomorrow (1937, McCarey)
Olympia (1938, Riefenstahl)
Mr. Smith Goes to Washington (1939, Capra)
The Bank Dick (1940, Cline)
Fantasia (1940, various)
The Grapes of Wrath (1940, Ford)
The Palm Beach Story (1942, P. Sturges)
Laura (1944, Preminger)
The Miracle of Morgan’s Creek (1944, P. Sturges)
To Have and Have Not (1944, Hawks)
I Know Where I’m Going! (1945, Powell/Pressburger)
Rome, Open City (1945, Rossellini)
The Best Years of Our Lives (1946, Wyler)
Gilda (1946, C. Vidor)
Black Narcissus (1947, Powell/Pressburger)
Monsieur Verdoux (1947, Chaplin)
Nightmare Alley (1947, Goulding)
Out of the Past (1947, Tourneur)
The Big Clock (1948, Farrow)
Fort Apache (1948, Ford)
Letter From An Unknown Woman (1948, Ophuls)
Louisiana Story (1948, Flaherty)
La Terra Trema (1948, Visconti)
They Live By Night (1948, N. Ray)
Los Olvidados (1950, Bunuel)
Awaara (1951, Kapoor)
Early Summer (1951, Ozu)
The River (1951, Renoir)
A Streetcar Named Desire (1951, Kazan)
Limelight (1951, Chaplin)
Umberto D. (1952, de Sica)
Gentlemen Prefer Blondes (1953, Hawks)
The Naked Spur (1953, A. Mann)
The Wages of Fear (1953, Clouzot)
On the Waterfront (1954, Kazan)
Rififi (1954, Dassin)
Senso (1954, Visconti)
Les Diaboliques (1955, Clouzot)
Lola Montes (1955, Ophuls)
Pather Panchali (1955, S. Ray) [42]
La Pointe-Courte (1955, Varda)
Rebel Without a Cause (1955, N. Ray)
Smiles of a Summer Night (1955, Bergman)
The Trouble With Harry (1955, Hitchcock)
Flowing (1956, Naruse)
The Girl Can’t Help It (1956, Tashlin)
12 Angry Men (1957, Lumet)
A Face in the Crowd (1957, Kazan)
Night of the Demon (1957, Tourneur)
Paths of Glory (1957, Kubrick)
Wild Strawberries (1957, Bergman)
Cat on a Hot Tin Roof (1958, R. Brooks)
Man of the West (1958, A. Mann)
Some Came Running (1958, Minnelli)
Anatomy of a Murder (1959, Preminger)
Fires on the Plain (1959, Ichikawa)
Floating Weeds (1959, Ozu)
Shadows (1959, Cassavetes)
The Bad Sleep Well (1960, A. Kurosawa)
Black Sunday [Mask of the Demon] (1960, Bava)
The Cloud-Capped Star (1960, Ghatak)
Rocco and His Brothers (1960, Visconti)
The Young One (1960, Bunuel)
El Cid (1961, A. Mann)
The Ladies’ Man (1961, Lewis)
Leon Morin, Priest (1961, Melville)
One, Two, Three (1961, Wilder)
Paris Blues (1961, Ritt)
A Woman Is a Woman (1961, Godard)
Yojimbo (1961, A. Kurosawa)
An Autumn Afternoon (1962, Ozu)
Cleo from 5 to 7 (1962, Varda)
L’Eclisse (1962, Antonioni)
Lolita (1962, Kubrick)
The Man Who Shot Liberty Valance (1962, Ford)
La Notte (1962, Antonioni)
Charade (1963, Donen)
Flaming Creatures (1963, Smith)
The Great Escape (1963, J. Sturges)
Shock Corridor (1963, Fuller)
A Hard Day’s Night! (1964, Lester)
I Am Cuba (1964, Kalatozov)
Kwaidan (1964, Kobayashi)
Marnie (1964, Hitchcock)
Red Desert (1964, Antonioni)
Alphaville (1965, Godard)
Chimes at Midnight (1965, Welles)
For a Few Dollars More (1965, Leone)
The Great Race (1965, Edwards)
Lupe (1965, Warhol)
Poor Little Rich Girl (1965, Warhol)
Red Beard (1965, A. Kurosawa)
The Color of Pomegranates (1966, Paradjanov)
Come Drink With Me (1966, Hu)
Masculine Feminine (1966, Godard)
Bonnie and Clyde (1967, Penn)
Branded to Kill (1967, Suzuki)
A Countess From Hong Kong (1967, Chaplin)
David Holzman’s Diary (1967, McBride)
In Cold Blood (1967, R. Brooks)
Mouchette (1967, Bresson)
Our Mother’s House (1967, Clayton)
Le Samourai (1967, Melville)
Faces (1968, Cassavetes)
Stolen Kisses (1968, Truffaut)
Yellow Submarine (1968, Dunning)
Army of Shadows (1969, Melville)
Femina Ridens (1969, Schivazappa)
Kes (1969, Loach)
Midnight Cowboy (1969, Schlesinger)
Mister Freedom (1969, Klein)
Still (1969, Gehr)
They Shoot Horses, Don’t They? (1969, Pollack)
A Touch of Zen (1969, Hu)
Husbands (1970, Cassavetes)
La Rupture (1970, Chabrol)
Zorns Lemma (1970, Frampton)
Beware of a Holy Whore (1971, Fassbinder)
Death in Venice (1971, Visconti)
The Devils (1971, Russell)
Fata Morgana (1971, Herzog)
Harold and Maude (1971, Ashby)
Deliverance (1972, Boorman)
Solaris (1972, Tarkovsky)
Charley Varrick (1973, Siegel)
F for Fake (1973, Welles)
The Friends of Eddie Coyle (1973, Yates)
Sleeper (1973, Allen)
The Sting (1973, Hill)
Bring Me the Head of Alfredo Garcia (1974, Peckinpah)
Fear Eats the Soul (1974, Fassbinder)
Parade (1974, Tati)
The Parallax View (1974, Pakula)
Primate (1974, Wiseman)
The Taking of Pelham One Two Three (1974, Sargent)
The Text of Light (1974, Brakhage)
Young Frankenstein (1974, M. Brooks)
Milestones (1975, Kramer)
Harlan County USA (1976, Kopple)
The Man Who Fell to Earth (1976, Roeg)
Close Encounters of the Third Mind (1977, Spielberg)
Hitler: A Film From Germany (1977, Syberberg)
Killer of Sheep (1977, Burnett)
Suspiria (1977, Argento)
That Obscure Object of Desire (1977, Bunuel)
Gates of Heaven (1978, Morris)
1941 (1979, Spielberg)
All That Jazz (1979, Fosse)
Being There (1979, Ashby)
The Brood (1979, Cronenberg)
Monty Python’s Life of Brian (1979, Jones)
My Brilliant Career (1979, Armstrong)
Over the Edge (1979, Kaplan)
Phantasm (1979, Coscarelli)
Vengeance Is Mine (1979, Imamura)
Airplane! (1980, Zucker/Abrahams/Zucker)
Dressed to Kill (1980, De Palma)
Kagemusha (1980, A. Kurosawa)
Stardust Memories (1980, Allen)
The Aviator’s Wife (1981, Rohmer)
Dragonslayer (1981, Robbins)
Modern Romance (1981, A. Brooks)
My Dinner With Andre (1981, Malle)
The Road Warrior (1981, Miller)
They All Laughed (1981, Bogdanovich)
Burden of Dreams (1982, Blank)
L’Enfant Secret (1982, Garrel)
Fanny and Alexander (1982, Bergman)
Fitzcarraldo (1982, Herzog)
Hours for Jerome (1982, Dorsky)
Tenebre (1982, Argento)
The Thing (1982, Carpenter)
Veronika Voss (1982, Fassbinder)
A Nos Amours (1983, Pialat)
L’Argent (1983, Bresson)
Ballad of Narayama (1983, Imamura)
Koyaanisqatsi (1983, Reggio)
The Right Stuff (1983, P. Kaufman)
Sans Soleil (1983, Marker)
Blood Simple (1984, Coen)
Repo Man (1984, Cox)
Secret Honor (1984, Altman)
Top Secret! (1984, Zucker/Abrahams/Zucker)
Come and See (1985, Klimov)
Return of the Living Dead (1985, O’Bannon)
Vagabond (1985, Varda)
Broadcast News (1987, J.L. Brooks)
The Dead (1987, Huston)
Evil Dead II: Dead by Dawn (1987, Raimi)
Family Viewing (1987, Egoyan)
Full Metal Jacket (1987, Kubrick)
The Princess Bride (1987, Reiner)
Rita, Sue and Bob Too! (1987, Clarke)
RoboCop (1987, Verhoeven)
September (1987, Allen)
Where Is the Friend’s Home? (1987, Kiarostami)
Withnail & I (1987, Robinson)
Beetlejuice (1988, Burton)
Cinema Paradiso (1988, Tornatore)
Dead Ringers (1988, Cronenberg)
Die Hard (1988, McTiernan)
Distant Voices, Still Lives (1988, Davies)
Talk Radio (1988, Stone)
Close-Up (1990, Kiarostami) [42]
Life Is Sweet (1990, Leigh)
Metropolitan (1990, Stillman)
Miller’s Crossing (1990, Coen)
Paris Is Burning (1990, Livingston)
Wild at Heart (1990, Lynch)
La Belle Noiseuse (1991, Rivette)
Days of Being Wild (1991, Wong)
Raise the Red Lantern (1991, Zhang)
The Silence of the Lambs (1991, Demme)
Slacker (1991, Linklater)
La Vie des Morts (1991, Desplechin)
Dead Alive (1992, Jackson)
The Last of the Mohicans (1992, M. Mann)
Life and Nothing More (1992, Kiarostami)
Reservoir Dogs (1992, Tarantino)
A Tale of Winter (1992, Rohmer)
Twin Peaks: Fire Walk With Me (1992, Lynch)
The Bride With White Hair (1993, Yu)
Cold Water (1994, Assayas)
Ed Wood (1994, Burton)
Exotica (1994, Egoyan)
Satantango (1994, Tarr) [35]
Before Sunrise (1995, Linklater)
Casino (1995, Scorsese)
Dead Man (1995, Jarmusch)
Underground (1995, Kusturica)
How I Got Into An Argument… [My Sex Life] (1996, Desplechin)
Lone Star (1996, Sayles)
Sling Blade (1996, Thornton)
Boogie Nights (1997, P.T. Anderson)
Fast, Cheap and Out of Control (1997, Morris)
Funny Games (1997, Haneke)
Lost Highway (1997, Lynch)
The Mirror (1997, Panahi)
Titanic (1997, Cameron)
Train of Shadows (1997, Guerin)
After Life (1998, Kore-eda)
Buffalo ’66 (1998, Gallo)
The Dreamlife of Angels (1998, Zonca)
The Hole (1998, Tsai)
Rushmore (1998, W. Anderson)
Saving Private Ryan (1998, Spielberg)
Election (1999, Payne)
Eyes Wide Shut (1999, Kubrick)
Magnolia (1999, P.T. Anderson)
Crouching Tiger, Hidden Dragon (2000, A. Lee)
Songs From the Second Floor (2000, Andersson)
Donnie Darko (2001, Kelly)
Fat Girl (2001, Breillat)
Ghost World (2001, Zwigoff)
Pulse (2001, K. Kurosawa)
Time Out (2001, Cantet)
Trouble Every Day (2001, Denis)
Y Tu Mama Tambien (2001, Cuaron)
25th Hour (2002, S. Lee)
Adaptation (2002, Jonze)
Gerry (2002, van Sant)
Irreversible (2002, Noe)
The Pianist (2002, Polanski)
Rules of Attraction (2002, Avary)
The Son (2002, Dardenne bros.)
The Best of Youth (2003, Giordana)
Dying at Grace (2003, King)
Lost in Translation (2003, S. Coppola)
Lord of the Rings: The Return of the King (2003, Jackson)
Memories of Murder (2003, Bong)
Before Sunset (2004, Linklater)
Kings and Queen (2004, Desplechin)
Last Life in the Universe (2004, Ratanaruang)
Sideways (2004, Payne)
Tropical Malady (2004, Weerasethakul)
The Beat My Heart Skipped (2005, Audiard)
The Death of Mr. Lazarescu (2005, Puiu)
Tale of Cinema (2005, Hong)
I Don’t Want to Sleep Alone (2006, Tsai)
INLAND EMPIRE (2006, Lynch)
Syndromes and a Century (2006, Weerasethakul)
No Country for Old Men (2007, Coen bros.)
Silent Light (2007, Reygadas)
A Christmas Tale (2008, Desplechin)
The Dark Knight (2008, Nolan)
Speed Racer (2008, Wachowski/Wachowski)
WALL*E (2008, Stanton)
Inglourious Basterds (2009, Tarantino)
A Serious Man (2009, Coen bros.)
Certified Copy (2010, Kiarostami)
Inception (2010, Nolan)
Toy Story 3 (2010, Unkrich)
Margaret (2011, Lonergan)

The following titles on the Sight and Sound critics top 50 received no votes:
Battleship Potemkin (1925, Eisenstein) [11]
Shoah (1985, Lanzmann) [29]
Battle of Algiers (1965, Pontecorvo) [48]
Histoire(s) du Cinema (1998, Godard) [48]
La Jetee (1962, Marker) [50, disqualified from Skuriels list due to duration]

2 comments:

  1. Is it bad of me that I think the "one vote" category is more interesting than the top fifteen?

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  2. Well, it's definitely more diverse. No need for any kind of consensus to pop into the "one vote" category- just passion from one voter. It's the same reason why I included the "orphans" post- because even if only one person loves a movie, it's nonetheless nice to give that person a venue to praise it. If I wasn't afraid of asking too much of the voters, I would have asked for more submissions in this category.

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